The Peacock Male – Exhibition at the Philadelphia Museum of Art

If you happen to pass Philadelphia as I just did, spend a day or two there and make sure to check out the textile section of the horribly monumental Philadelphia Museum of Art.

If you happen to pass Philadelphia as I just did, spend a day or two there and make sure to check out the textile section of the horribly monumental Philadelphia Museum of Art. On view now, ‚The Peacock Male: Exuberance and Extremes in Masculine Dress‚ might not be the biggest exhibition you’d ever have seen on men’s style, but it is a nice little input refreshing your fashion history knowledge while you cool down from the heat outside. Have a break, have a fashion snack.

Man's Bondage Suit: Jacket and Trousers with Attached Knee Strap, c. 1990. Designed by Vivienne Westwood, English, born 1941. Bright orange/red wool. Philadelphia Museum of Art, Purchased with the Costume and Textiles Revolving Fund, 2000.
Man's Shoes, c. 1973. Artist/maker unknown, Italian. Black and brown leather, red suede. Philadelphia Museum of Art. Gift of Darrel Sewell, 1989.

Men’s apparel is often thought of as staid and restrained, especially when compared to feminine fashions. Until the late eighteenth century, however, elite men flaunted their social position with rich fabrics and ornamentation. After men generally adopted somber suits, colourful accessories could add spice, and more ostentatious masculine flash and flair was sometimes permissible. The Peacock Male, drawn from the Museum’s collection of Western fashion, examines three hundred years of men’s sartorial display.

Herald's Tabard, 1707‐14. Artist/maker unknown, English. Silk satin weave with silk and gilt fabric appliqué; silk and gilt thread embroidery in couching and satin stitches and laid work; glass beads, Center Back Length: 34 inches (86.4 cm). Philadelphia Museum of Art, Gift of Elizabeth Malcolm Bowman in memory of Wendell Phillips Bowman, 1930.
Livery Coat for a Servant of Prince von Metternich, 1813‐1829. Artist/maker unknown, Austrian. Dark yellow brushed wool trimmed with wide bands of velvet ribbon trim in cream, yellow, brown and black, 55 1/8 x 31 1/8 inches (140 x 79 cm). Philadelphia Museum of Art, Purchased with Special Museum Funds, 1912.

While the rare man revels in dressing idiosyncratically to make a personal statement, even the most traditional can don an extravagant costume, such as a Mummer’s ensemble. Some distinctive male garb displays allegiance to a group: early nineteenth-century firemen wore decorative parade hats and Masons, emblematic aprons. Men could signal high status through specialised sports attire, elaborate formal military uniforms, or even the ornate clothing of subordinates, as seen in an early nineteenth-century livery coat for the servant of an Austrian prince.

Man's Coat with Mermaid Pinup Girl, Fall/Winter 1991‐92. Designed by Yohji Yamamoto, Japanese, born 1943. Wool/nylon and silk‐screened rayon lining, Center Back Length: 52 1/2 inches (133.4 cm). Philadelphia Museum of Art, Gift from the private collection of John Cale, 2000.
Man's Jacket, c. 1950s. Browning King & Co. Black and white zebra‐striped plush. Philadelphia Museum of Art, Gift of Louis C. Madeira, 1979.

In the 1960s, mods and hippies rebelled against the constraints of menswear, sporting wild garments such as a psychedelic ‚paper‘ shirt emblazoned with the names of the era’s sex symbols. The traditions of men’s clothing have been further subverted in the late twentieth and early twenty-first centuries. Vivienne Westwood’s bright orange bondage suit reflects punk aesthetics, while designers like Rei Kawakubo and Yohji Yamamoto have deconstructed the masculine wardrobe, which continues to be redefined.

Man's Jacket with Miró‐Inspired Designs, Fall/Winter 1991‐92. Designed by Yohji Yamamoto, Japanese, born 1943. Red and brown wool, Center Back Length: 33 ¼ inches (84.5 cm). Philadelphia Museum of Art, Gift from the private collection of John Cale, 2000.
Man's "Paper" Shirt, Late 1960s. Artist/maker unknown, German. Multicolored printed spun‐bonded polyester (paper), 31 1/2 x 64 inches (80 x 162.6 cm). Philadelphia Museum of Art, Purchased with funds from the gift of Mrs. Victor M. Friar, 2009.

The Peacock Male: Exuberance and Extremes in Masculine Dress‚ is on until the end of summer.

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